Category Archives: Art
The title was misleading. I was expecting to read about how to travel in an artistic manner or the science of artistic travel , whatever that would have been. As for the author, the only relationship till now were a few quotes, mostly from his ‘On Love’. The first few pages were more less on the expected lines – the anticipation that is mostly colored by a travel agency brochure. Palm fringed beaches, multi hued sea in shades of green , blue or a more sexy sounding aquamarine, the ubiquitous ‘hotel bungalow with a view through French doors into a room decorated with wooden floors and white bedlinen‘ and an almost always ‘azure sky.’
You think you know it all when the author comments on , how in the course of anticipation of a travel, mortal human beings like us tend to forget the details of what happens between the time that we get into a car on the way to airport and reach the hotel at your dream destination. We get an almost bleak picture of however exotic the destination maybe, how we experience it depends to a large extent, on a lot of other factors, beyond our control. The bliss cannot be permanent, and therein lies the beauty or the reality, as the case maybe.
The book is neatly divided into five parts – Departure, Motives, Landscape, Art and Return – two chapters each, except the last, that has one. Enlightenment struck in the second chapter of ‘Departure’ where Botton talks about a remote service station somewhere between London and Manchester and connects his thoughts to the French poet Charles Baudelaire and how his poems borne out of yearning for places afar inspired the American painter Edward Hopper. This was much more than what I had hoped for. Poets and artists I’d never heard of, why they did what they did, how their travels and what they noticed in details en route affected their art and their views on people and life….literary bliss indeed.
In the first chapter ‘Motives’ of travel, Botton talks about how the very term ‘Exotic’ was synonymous with Middle East at one point of time. Did you know Gustave Flaubert hated his homeland with a passion and was obsessed with the Orient? As the author observes, “What we find exotic abroad maybe what we hunger for in vain at home,” you can’t help nodding in agreement. You also wonder whether the places that you call home are really that , or as the cliche goes, ‘isn’t home where your heart is?’
Curiosity could be another factor that prompts one to take up travel. He talks of the extreme levels of curiosity that one can go to citing the example of the German naturalist and explorer Alexander von Humboldt, who went on an expedition to South America and came back with details as diverse and detailed as to cover biology, geology, physics, chemistry and whatever else you could think of. (His biography is aptly sub titled ‘What May Be Accomplished in a Lifetime‘). If you are overwhelmed with this super human’s endeavors, Botton leaves us with a consoling thought,
“Instead of bringing back sixteen thousand new plant species, we might return from our journeys with a collection of small, unfeted but life-enhancing thoughts.”
‘Landscape’ and ‘Art’ are what really captured my heart. Serendipity strikes when you listen to Wordsworth echoing your thoughts on living in the city as against the country. It was on a visit to Red Hills in Ooty a few years ago that the fact of how your surroundings can actually affect the kind of person you are, first came into mind as a conscious thought. Every morning, Vijay, the owner of the serene home stay could be seen sitting on the green wrought iron bench in the front garden, staring at the emerald lake below. He was a man of gentle manners and I wondered whether it was the lake and its surroundings that passed on its sage like qualities to him. Over the years, I’ve noticed the changes that come over people based on where they lived and who their constant companions were at any point of time. Some places leave a lasting impression on one’s mind that you are found going back to it time and again, especially when the mind is in turmoil and longs for peace. Isn’t this what the great poet meant when he said,
“For oft on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye….
And then my heart with pleasure fills,
And dances with the Daffodils.”
The two chapters that follow goes on to tell us about what sublime is all about and how art influences our appreciation of certain things and places, which we might not have otherwise. At some time or other, most of us are influenced by the various reviews and historical significance of places and people. It is as if we are some idiots if we fail to find the same awe and wonder as others mostly pretend to. ‘On Eye-Opening Art’ tells us a different story. Botton , who is totally not impressed by the much appreciated Provence with its quintessential olive and cypress trees and wheat fields. It took aVincent van Gogh to make him appreciate the beauty of the place and its colours.
He saved the best for the last. ‘On Possessing Beauty’ is about John Ruskin, who I must admit, was someone whom I’d never heard of before. He gave a kick on my backside and how. Do we really see what we are looking at, and if at all we do, how much? According to Ruskin, humans have this innate desire to possess beauty. (That explains our hoarding mentality , I guess. The definition of what is beautiful may vary, though. ) And he says, the only way to possess it is by understanding it. And the most effective way to understand, you ask?
“by attempting to describe beautiful places through art, by writing about or drawing them, irrespective of whether one happened to have any talent for doing so.”
The catchword is of course, ‘irrespective.’ We are so worried about what others think and say of our work, all the while forgetting the real essence of art. For, isn’t art something that should give you absolute joy? Irrespective of definition, of what others term as good or bad, if it is something that gives you joy, without harming anyone else, isn’t that the ultimate aim of art? In Ruskin’s words again,
“Your art is to be the praise of something that you love. It may only be the praise of a shell or a stone.”
Art can never be separated from life. And when someone links one of the deepest longings – travel – to an object of beauty and makes you think of how you can never be really away from life and its twists and turns, with the added pleasure of finding new artists to enjoy and new authors to be read, you realize you have found a treasure, and a true one at that.
“I had seen many oak trees in my life, but only after an hour spent drawing one in the Langdale Valley (the result would have shamed an infant) did I begin to appreciate, and remember, their identity.”
True of people in our life as well, isn’t it?
‘The Small Brick Bridge’ by John Ruskin
Verdict : You love travel ? Art ? Poetry? Go read!
4/5 for the book and 5/5 for ‘On Possessing Beauty’
I first read ‘The Bridges of Madison County‘ at an age when one believes love is only for the young. Anyone above forty would have been done and dusted with romance and got lost in the mundane things of life. It was no wonder that the book left a kind of disbelief in my mind. Really? A fifty something house wife, somewhere in the wild falling in love with a wandering photographer? Not just that, plunging headlong into a full blown affair? And then, celebrating their anniversary? The feeling was of a mild disgust – how could she do this to her husband – and total disbelief.
Well, at times, with age comes wisdom and acceptance. So does a gradual change in the definition of romance. It is really difficult to remember when the change starts taking over you. The sudden surge in hormones that brings forth a luminous glow in your eyes, that makes your heart rate go at the rate of a super bike and turns your bones into jelly, slowly transitions to something deeper. Looks doesn’t seem to matter much anymore. You are more interested in what comes out of a mouth guarded by those sensuous lips rather than imagining a scorching kiss on them. Along with family and kids came a better understanding of Francesca, but questions remain aplenty.
Few days ago, a friend of mine shared this beautiful love story. It’s about a night that Sir Isiah Berlin spent in Leningrad in 1945. Through a friend, he met the famous Russian poet Anna Akhmatova, twenty years older to him and about whom he did not know much. The article goes on about how as the night progressed, they went from one topic to another, discovering more and more about themselves, the books, thoughts and philosophies they had in common, “They had read all the same things, knew what the other knew, understood each other’s longings,” is what Berlin’s biographer says about the meeting. That night was something the two of them would never forget in their lives and probably influenced many a story and poem that the two brought out. A rare connection of heart and intellect.
Reading the story, my mind automatically went back to Robert Kincaid, the ‘peregrine’ photographer who had come to Iowa to capture the covered bridges of the county. He meets Francesca, wife of a country farmer and the next few days define the rest of their lives. They would have never imagined or even had the wildest dream about such a confluence souls.
“It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another.”
Call it destiny, fate, luck, serendipity or whatever you may, the essential feeling is the same, that this was bound to happen. All is well as long as the two of you are unattached and you know no one is going to get hurt. The power of recognition and love is so strong, it is just not possible to find fault in their relationship. Yet, a question keeps gnawing at the corners of my heart, “what if it was me? Would I have jumped at the chance?”
Francesca was a free and passionate spirit and wanted to see the world. She had jumped at the chance to get out of her small Italian village, so got married to the dashing American soldier, only to live the rest of her life in a remote farm land in Iowa, miles away from civilization. Into her conventional life comes this leopard-like handsome creature, upsetting her plcaid existence and pulling out all that she had pushed down into the deepest recesses of her heart. She realizes that at her age, there could never be another chance. And she decides to give that gift to herself.
Not surprisingly, I haven’t given much thought to Robert, except as the handsome Clint Eastwood. He is free to do anything he wants without too many repercussions. It is Francesca that kept stealing silently into my thoughts, “why didn’t she take the chance of a lifetime? she could have had the life that she always dreamed of, why did she let go?” And then that nagging question again, “what would I have done, in her place?”
More often than not, we want more than what we already have. Especially so, if you are a dreamer. We are in constant search of that someone or something that would make you whole and complete. Someone who fits into the contours of your soul, mind, body and intellect with perfect ease, as if you were parts of the same puzzle. Alas, the imperfect mortals that we are, with all the associated faults and foibles, perfection turns out to be a mere chimera. So what would you do, if you are one of those rarest ones, who is lucky enough to find that elusive mate, even if it is only for sometime, irrespective of whether you are young or old? Would you grab that chance with everything that you have and let go of all else? Would you just ignore it or would you do as Francesca did – fill her soul to the brim and feed from it for the rest of her life?
It was Francesca who gave me my answer,
“The paradox is this: If it hadn’t been for Robert Kincaid, I’m not sure I could have stayed on the farm all these years. In four days, he gave me a lifetime, a universe, and made the separate parts of me into whole. I have never stopped thinking of him, not for a moment. Even when he was not in my conscious mind, I could feel him somewhere, always he was there.
But it never took away from anything I felt for the two of you or your father. Thinking only of myself for a moment, I’m not sure I made the right decision. But taking the family into account, I’m pretty sure I did.”
Disclaimer – a long post. But then, how can you expect anything less when the book itself is close to 800 pages?
‘An Object of Beauty’ by Steve Martin was one of the first books that I would have read about art. Then came Susan Vreeland’s ‘Girl in Hyacinth Blue‘ that taught me the subtle nuances that made a classic,
“Look at the direction of the brush’s stroke, those tiny grooves of the brush hairs. They have their lighted and their shaded side. Look elsewhere. You’ll find overlapping layers of paint no thicker than silk thread that give a minute difference in shade. That’s what makes it a Vermeer.”
‘The Goldfinch’ reminded me of the second one in that a single painting is at the core of the story. Young Theo Decker is scared that he is going to be suspended from school, the headmaster has asked for a meeting with his mother. A shifty father, who has walked in and out of their lives, seem to have abandoned them for good finally. On that fateful morning his mother, who is ardent lover of art, decides to talk a look at one of her favorite paintings in the museum. Something in the painting catches Theo’s eyes as well, as small as the painting is. While dragging behind his mother , he notices a lovely girl with a violin, accompanied by a man who might be her grandfather. All hell breaks lose as there is an explosion, that almost shatters the whole place. Theo finds himself holding the hands of the old man, who utters some cryptic sounding words and thrusts an antique ring into his hand and urges him to get out. Something pulls the little boy back and makes him take the small painting off the hook as he walks out of the rubble. To repeat a cliche – life is never going to be the same for him again.
His mother killed in the explosion, a father who cannot be traced and a pair of indifferent grandparents, Theo finds himself in his friend Andy Barbour’s home – a typical high end New York house. The ring and an address that the old man had given him, leads him to the dusty but awe inspiring antique shop, to Hobie the genial owner and the girl in the museum, Pippa. He is drawn back to the place day after day, slowly starts helping out Hobie in restoring antique furniture and one gets a feeling he might find solace there. The feelings lasts until his father turns up at a most inopportune moment with his girl friend.
What follows is years of drugs, decadence, a new friend who seem to be a little more than crazy, coincidences, connections, more drugs and decadence, the high and low of New York and the underbelly of Amsterdam. The painting remains at the core of it all. I will leave the rest of the story for you to read, be surprised, turn sad and happy and finally to ponder over some thoughts in the end.
It is said that the author took more than ten years to complete this book and I am not surprised. The canvas is vast and filled with details. And therein lies the beauty. The language is exquisite, mostly. The little boy’s angst and insecurities and his dilemma over what could have been and should have been, and his longing for his mother is transferred to the reader subtly and surely. Sample this,
“I dreamed of her constantly, only as absence, not presence: a breeze blowing through a just-vacated house,her handwriting on a notepad, the smell of her perfume, streets in strange lost towns where I knew she’d been walking only a moment before but had just vanished, a shadow moving away against a sunstruck wall.”
Are you someone who has ever wondered what is it that attracts people to a masterpiece, make some to go to any lengths to own one and to hold on to it? You might understand the feeling,
“The painting made me feel less mortal, less ordinary. It was support and vindication; it was sustenance and sum. It was the keystone that had held the whole cathedral up.”
I loved how the characters were portrayed, there is no one who is absolutely good or bad, the author doesn’t pass judgement on any of them and as a reader you are also gently persuaded to follow suit. There is a reason to what each of them says and does, there is an underlying resignation to life in each of them. The message, if that is so, of the whole story is captured in Theo’s words in the last chapter as he philosophizes about life as he has known it and in general. It does provoke some strong thoughts in your mind as well, at least, it did for me.
“Isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.”
Only here’s what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster ?”
The book also left me with a feeling that in the ten years that it took to bring it out, some editing could have been done. But then, it could also be that, the author did it on purpose. I skipped more than a few pages where it felt like long ramblings. Thinking back, maybe it makes sense, because the long-winding verses happen when at least one of the characters were in a delirious mood. The last chapter also seemed to go on and on, without any end in sight.
Verdict – Characters with depth, and excellent story line that does not let you keep it down despite the length, language that captures you in most parts and an endearing protagonist who asks some piercing questions – you love the sound of this? Go ahead, pick it up. If it is the paper version, you might develop some muscles also in the bargain.
‘The Goldfinch’ is an oil painting by the 17th century Dutch master Carel Fabritius. It is one of the few of his works that has survived en explosion that killed the artist.